ProLingo News | Film Review by: Siddhartha Srivastava | Dated: 19 October 2023
Title: "Bhagavanth Kesari"
Starring: Balakrishna, Srileela, Kajal, Arjun Rampal, and a talented ensemble cast
Production Company: Shine Screens Banner
Produced by: Harish Peddi and Sahu Garapati
Written and Directed by: Anil Ravipudi
Music Composed by: Taman
Cinematography by: Ram Prasad
Edited by: Tammiraju
Scheduled Release Date: October 19, 2023
The tale of 'Bhagavanth Kesari' unfolds as follows:
Bhagavanth Kesari, portrayed by Balakrishna, is an inmate at Warangal Jail. A new jailer named Srikanth, played by Sharath Kumar, arrives and becomes acquainted with Bhagwant Kesari. Their rapport grows strong, but Srikanth faces suspension for supporting Kesari. As Srikanth leaves his post, he makes a final, compassionate gesture by adding Kesari's name to the list of prisoners to be released for good behaviour.
As a result of this act, Bhagavanth Kesari is set to be released from prison. After his release, the jailer visits Srikanth's home, but tragedy strikes when Srikanth dies in a road accident on the same day. Following her father's last wish, Srikanth's daughter Vijji, portrayed by Srileela, takes on the responsibility of Bhagavanth Kesari. She aspires to fulfil her father's dream and join the Indian Army.
Meanwhile, a wealthy businessman named Rahul Sanghvi, played by Arjun Rampal, seeks to secure Project V by resorting to government intimidation. He resorts to murder, targeting the Deputy Chief Minister, and embarks on a quest for the incriminating evidence alongside his personal assistant. Sanghvi's associates attempt to eliminate Vijji's Papa due to certain motives. The story delves into Bhagavanth Kesari's actions, the events that led to his imprisonment, the Adilabad massacre case, the longstanding feud between Rahul Singhvi and Kesari, and whether or not Vijji eventually fulfils her dream of joining the army.
To uncover the answers to these questions, you'll need to watch 'Bhagavanth Kesari' in theatres.
Anil Ravipudi is a renowned director known for his hit comedy films with a commercial touch. When you hear of a movie directed by him, comedy is the expectation. On the flip side, Balayya's movies are synonymous with powerful dialogues and high-octane action sequences. However, in their collaborative effort, "Bhagavanth Kesari," both of them deviated from their usual strengths. Anil Ravipudi mentioned that he wanted to present a new side of Balayya in this project, and he indeed did just that. Yet, the storyline itself didn't break new ground.
The narrative follows a familiar pattern - the hero leaving his hometown due to a villain's influence, a flashback backstory, and a climactic return to defeat the antagonist. This storyline structure has been seen in many Telugu films. "Bhagavanth Kesari" treads a well-worn path in terms of its plot. However, it distinguishes itself with its treatment, thanks to the unique casting of Balayya and Srilila. Both actors are in roles rarely seen on the screen, and the film uses this opportunity to convey a message about gender equality, suggesting that women should not be confined to the kitchen.
The movie begins with a man narrating the tale of 'Bhagavanth Kesari' to a distressed Mumbai court judge's family. The director takes his time introducing the main characters, starting with a grandiose fight scene for the hero's entrance. This is followed by the introduction of Jailer Srikanth and the meeting between Bhagavanth and Kesari. The film also portrays the heartwarming bond forming between Bhagavanth and the judge's daughter, Vijji.
The narrative takes an emotional turn following the demise of Jailer Srikanth, deviating from the somewhat stretched and routine plot. It's during this phase that the song 'Uyyalo Uyyala...' provides a much-needed respite for the audience. This is the point where the convincing portrayal of why the antagonistic characters pursue Wizzy Papa becomes evident, injecting a burst of momentum into the storyline.
While the initial half may appear a tad sluggish, the interval scene succeeds in piquing our curiosity for the second half. The latter portion of the story unfolds with a plethora of unexpected and intriguing elements. Balayya's action sequence in Anil Ravipudi's comedy Touch Bus leaves a lasting impression, and his informative speech at the school adds depth to the narrative.
Even though the scene where the hero visits the antagonist's residence to deliver a warning might have a cinematic feel, it's inconsequential because, after all, the hero is none other than Balayya. The episodes featuring John Vijay arriving with helicopters to assist Kesari, and Srileela's action-packed climax scene, deliver a thrilling climax to the story.
Balakrishna portrayed the character of Bhagavanth Kesari in a fresh and striking salt-and-pepper appearance on screen. His use of the Telangana dialect left a lasting impression, showcasing an impressive performance. Among the cast, Srileela's portrayal of Vizzi Papa stood out as one of the movie's highlights, delivering a convincing performance.
The film also introduces some new talent in the form of Ramleela, who shines on screen. The movie not only excels in its emotional scenes but also delivers remarkable action sequences. Kajal's role, though present, doesn't play a significantly vital part, appearing somewhat ornamental. Arjun Rampal's portrayal of the antagonist lacks the depth we might expect.
Supporting actors such as Sarath Kumar, Aadukalam Naren, VTV Nagesh, Muralidhar Goud, Raghubabu, Jayachitra, Rachcha Ravi, and others performed admirably in their respective roles, contributing to the overall quality of the film.
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